singing bourgeois songs of the Victorian drawing room and parlour by Derek B. Scott

Cover of: singing bourgeois | Derek B. Scott

Published by Open University Press in Milton Keynes, [England], Philadelphia .

Written in English

Read online

Places:

  • England

Subjects:

  • Popular music -- England -- To 1901

Edition Notes

Book details

StatementDerek B. Scott.
SeriesPopular music in Britain
Classifications
LC ClassificationsML3492 .S4 1989
The Physical Object
Paginationxiv, 242 p. :
Number of Pages242
ID Numbers
Open LibraryOL2042837M
ISBN 100335152910, 0335152961
LC Control Number88019625

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First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the by:   First published inThe Singing Bourgeois singing bourgeois book the myth that the 'Victorian parlour song' was a clear-cut genre.

Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred Cited by:   First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre.

Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred Author: Derek B.

Scott. First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott singing bourgeois book the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home.

The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (Popular Music in Britain) Paperback – July 1, by Derek Scott (Author)5/5(1). First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred 5/5(1).

First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred Book Edition: 2nd New Edition.

First published inThe Singing Bourgeois challenges the myth that the ‘Victorian parlour song’ was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic singing bourgeois book Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the.

Later, in old age, music was a comfort. Listening to it at night calmed her during bouts of insomnia, and she found humming or singing songs from the past to be soothing.

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"First published in The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song.

Get this from a library. The singing bourgeois: songs of the Victorian drawing room and parlour. [Derek B Scott] -- "First published inThe Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre.

Derek Scott reveals the huge diversity of. Credits. This web version of The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlor (2nd edition, ) appears with the permission of the author and the publishers of the print edition, Ashgate.

George P. Landow created this online version, formatting the text and adding links and images. Contents; Acknowledgements; Introduction to the First Edition. The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (Music In Nineteenth-century Britain Ser.) Derek B. Scott: Contains images: Changing the Conditions for Development Aid: A New Paradigm.

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